Weekdays at 4pm Eastern. Zoom link here.
- You will not need a Zoom account to participate as a viewer, but you will need to download and install the Zoom application.
- Non-presenters will be default muted during the colloquia – we will experiment with different Q&A formats over the first few colloquia.
|4/6||Gabrielle Cornish||“Perestroika’s Noisy Bodies”||@gcornish91|
|4/7||Gillian Gower||“The Passion of Miley Cyrus: Medievalism as Pop Feminism in ‘Mother’s Daughter’ “||@medievaliste|
|4/8||Anne Levitsky||“‘La rana e-l rossinhols’: Interactions between Human and Animal Voices in Troubadour Song”||@alevitskmusic|
|4/9||Andrew Chung||“Music of New World Coloniality Is Music of The Anthropocene”||@prof_ajchung|
|4/10||Andy Jarema||“Leveling Up The Symphony Orchestra: Andrew Norman’s Play and Video Game Narrative Structure”|
|3/17||Will Robin||“Bang on a Can and New Music America: Competing Festival Visions for Contemporary Music.”||@seatedovation|
|3/18||Trevor R Nelson||“‘What D’You Mean Saint George Was A Turk?’: Britishness, Brexit, _Englistan_||@TrevorRNelson|
|3/19||Jane Mathieu||“Armed with Tin Pans and Flags of All Sizes”: Songs of Belonging in the Streets of the Immigrant City, 1912||@janekmathieu|
|3/20||Micaela Baranello||Space Opera: Alienation Effects in Sci-Fi Regietheater||@zerbinettasblog|
|3/23||Samuel J. Brannon||“Books of Good Omen Should Be Decked with Such Things as These”: Customizations to Renaissance Music Books as Evidence of Reader Engagement|
|3/24||Martin Ross||Listening to a Gradual Process: Gesture in Steve Reich’s ‘Melodica’|
|3/25||Joanne Wong ||Musical Narrative in BTS’ “The Most Beautiful Moment in Life” |
|3/26||Stewart Duncan||The Role of Choral Music in British Diplomacy, 1934-1939: The British Council and National Identity Abroad||@stewart_duncan|
|3/27||Liz Wollman and Trudi Wright||“The Best of All Possible Worlds: Teaching Musicals in a Time of Crisis”||@elizwollman|
|3/30||Elena Arredondo Farel||“Sissieretta Jones and Performing the Prima Donna”|
|3/31||Eva Moreda Rodriguez||“From notation to stage to recording in Spanish zarzuela, 1896-1958”||@NotationIsGreat|
|4/1||Austin T. Richey||“Re-Sounding Detroit: Afrikan Griots and Sonic Afro-Modernity”|
|4/2||Jake Cohen||“Symphony Hall, the ‘Back Bay Wastes,’ and the Changing Cultural Geography of Fin-de-siècle Boston”||@musicolojake|
|4/3||Robin James||” ‘You Need To Calm Down!’: The political economy of ‘chill’ in contemporary popular music”||@doctaj|
Presenters have been invited to share the text of their papers or slides here.